#: locale=en

## Action

### URL
LinkBehaviour_44D7C3A0_5687_B8DD_41BE_6EF106BA4B5B.source = https://miesbcn.com/es/proyecto/luftwerk-iker-gil-geometry-of-light/
LinkBehaviour_45CBE266_5681_7825_41D0_090BAE1D0C5B.source = https://miesbcn.com/project/beautiful-failures/
LinkBehaviour_423EB7E3_53B2_914B_41CA_D788A65AE15D.source = https://miesbcn.com/project/jaque-intervention/
LinkBehaviour_4281225F_53B2_B37C_41B4_5D678AC295F3.source = https://miesbcn.com/project/jaque-intervention/
LinkBehaviour_257D3A53_3D78_CDF0_41C4_8A12DB35DF9C.source = https://miesbcn.com/project/re-enactment-lilly-reichs-work-occupies-the-barcelona-pavilion-by-laura-martinez-de-guerenu/
LinkBehaviour_2A504A77_3D79_4DBF_41C4_ABB0A609E595.source = https://miesbcn.com/project/spencer-finch-fifteen-stones-ryoan-ji/
LinkBehaviour_427249D2_53D2_9145_41B3_0191DAB00C70.source = https://miesbcn.com/project/untitled-loverboy-felix-gonzalez-torres/
LinkBehaviour_2BC66D06_3D57_4750_41A3_BC5A11BE03AF.source = https://miesbcn.com/project/woman-against-the-light/
LinkBehaviour_444C8A33_5681_E83C_419B_B46272912C0E.source = https://miesbcn.com/the-pavilion/
LinkBehaviour_4536B158_5683_786D_41CA_840F918E00A0.source = https://miesbcn.com/the-pavilion/
LinkBehaviour_45BCFC06_5682_EFE5_41BB_C8C88E9860F0.source = https://miesbcn.com/the-pavilion/

## Hotspot

### Text
QuadHotspotPanoramaOverlayTextImage_2A1525D2_3D69_46F0_41C8_2920B9944730.text = A short film in black and white by Albert Badia and 15-L, based on Enric Llorach’s artistic intervention in the Mies van der Rohe Pavilion at Loop Barcelona 2017, it starts from the dance show in the composition of Fèlix Pastor and the dancer Sonia Fernández in which they rehearsed the visit of a woman in the German pavilion of Mies van der Rohe
QuadHotspotPanoramaOverlayTextImage_4168EA07_53BF_92CB_41D2_503D40B0879F.text = An intervention by Andrés Jaque in the Barcelona Pavilion, a result of research that he has developed over the past two years following the invitation of the Fundació Mies van der Rohe and the Banc Sabadell Foundation. At different points of the Pavilion’s space, an important part of the objects that are kept in the basement on which it sit are arranged. A basement, presented as the ghost of the Pavilion (PHANTOM) that had never before attracted the attention of those who visit or study it and to which, however, Jaque recognizes an important role in the emergence of its architecture as social construction.
QuadHotspotPanoramaOverlayTextImage_4116FD41_53B3_F147_41C1_5161954C777A.text = Andrés Jaque. PHANTOM: Mies as Rendered Society \
 \

QuadHotspotPanoramaOverlayTextImage_5CE785F5_53D1_914C_41CC_47343BDE2A9E.text = Felix Gonzalez-Torres. “Untitled” (Loverboy)
QuadHotspotPanoramaOverlayTextImage_2AA7E883_3CD7_4D50_41C0_5688872B2F07.text = Geometry of Light by Luftwerk & Iker Gil \
 \

QuadHotspotPanoramaOverlayTextImage_2B911A3E_3CA9_4DB0_41CB_E715575ECF54.text = Geometry of Light is an intervention that generates a global experience envisioned as a contemporary lens for the Mies van der Rohe Pavilion, highlighting and expanding upon the architectural and material features of this structure. Using light and sound, Geometry of Light creates a new interpretive layer extending from the primary elements of architecture, including the gridded plan, vertical planes, and materiality. \
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Focused on the gridded plan of the pavilion, a projected grid of light animates the travertine floor that extends beyond the steel-framed glass walls to accentuate the flowing space as it permeates through the interior and exterior. The way in which light is projected and the spatial situation of sounds enlivens and alters our perception of the essential elements of the Pavilion and its open plan and magnifies the illusion of its physical and material limits. \
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The animated projections are choreographed to trace, highlight and alter the composition of the Pavilion to the sound of the custom-designed piece that Oriol Tarragó has created as a direct response to the pitch of the Pavilion to create a comprehensive immersive tonal reading. In this way, together, these elements of light and sound coalesce—both unifying and disjointing the physical and perceptual space—in a new, altered perception and interpretation of the Mies van der Rohe Pavilion.
QuadHotspotPanoramaOverlayTextImage_45E7DB30_568E_A83D_41C2_6DD7D9520762.text = Georg Kolbe's sculpture
QuadHotspotPanoramaOverlayTextImage_8F3AB1B4_9E33_51E6_41E0_ACAFA96E5009.text = Glass, steel and four different kinds of stone (Roman travertine, green Alpine marble, ancient green marble from Greece and golden onyx from the Atlas Mountains) were used for the reconstruction, all of the same characteristics and provenance as the ones originally employed by Mies in 1929. Mies van der Rohe’s originality in the use of materials lay not so much in novelty as in the ideal of modernity they expressed through the rigour of their geometry, the precision of the pieces and the clarity of their assembly.
QuadHotspotPanoramaOverlayTextImage_426D51D3_5353_914B_41D3_43118C7ED0B0.text = MEATS Elisava. Beautiful Failures
QuadHotspotPanoramaOverlayTextImage_91A397D3_9E0F_51A1_41AD_8D289C8D0982.text = Mies van der Rohe and Lilly Reich designed a chair, especially for the Pavilion, consisting of a leather upholstered metallic profile that over the years has become an icon of modern design. To such an extent, in fact, that the Barcelona chair is still manufactured and marketed today.
QuadHotspotPanoramaOverlayTextImage_2622B3B0_3D58_C2B0_41AD_5673DE27E344.text = On the eve of Women's Day, the Fundació Mies van der Rohe presents the artistic intervention Re-enactment, by Laura Martínez de Guereñu, outcome of the first call of the Lilly Reich Grant for Equality in Architecture. \

QuadHotspotPanoramaOverlayTextImage_26507678_3D59_45B0_41A2_A75FA8A105E8.text = Re-enactment: Lilly Reich’s Work Occupies the Barcelona Pavilion \

QuadHotspotPanoramaOverlayTextImage_271F63D2_3D68_C2F0_41CB_12B4086ECC18.text = Ryoan-ji, “The Temple of the Dragon at Peace”, is located in Kyoto and evokes its famous karesansui (zen garden), considered one of the masterpieces of Japanese culture. On a surface of white gravel of 25x10m, almost the same dimensions as the pond of the Pavilion, fifteen stones are arranged in such a way that it is not possible to see them at the same time, whatever the position of the observer. This abstract composition of stones in space that encourages meditation is open to interpretation, in the same way as Fifteen Stones.  \
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The proposal also refers to the links between the Modern Movement and specifically the work of Mies van der Rohe, and the Japanese precedent. Direct connections between the German architect’s way of thinking and working and the philosophical and conceptual basis of Japanese culture have seldom been proposed. This intervention allows us to reflect on the most lyrical aspects of the work of Mies van der Rohe and one of the most outstanding materials of the Pavilion, stone, in this case in its natural state and establishing a dialogue with the cut, polished and hung travertine that forms the walls, the pavement and the bench from which to observe the composition.
QuadHotspotPanoramaOverlayTextImage_25962AC8_3D68_C2D0_4180_6FA9B8CAE0E6.text = Spencer Finch. Fifteen Stones (Ryoan-Ji) \
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QuadHotspotPanoramaOverlayTextImage_470C5509_5681_59EC_41BA_6B1CA0AE2838.text = The Barcelona chair
QuadHotspotPanoramaOverlayTextImage_5806ED24_5682_A825_41B2_AC10E9F0A498.text = The Pavilion's materials
QuadHotspotPanoramaOverlayTextImage_43C72E62_53F2_F344_41BC_614DFBE3FA38.text = The installation “Untitled” (Loverboy) at the Mies van der Rohe Pavilion is part of the exhibition Felix Gonzalez-Torres: The Politics of Relation by MACBA. The adaptation of this piece, consisting in a blue cloth curtain that slightly touches the floor, in the architectural space and the petic sensuality which it introduces, opens our view not only to the featuret work but also to new reinterpretations of the Pavilion.
QuadHotspotPanoramaOverlayTextImage_8F342133_9E31_AEE2_41D1_B0A7BC3930BF.text = The sculpture is a bronze reproduction of the piece entitled Dawn by Georg Kolbe, a contemporary of Mies van der Rohe. Masterfully placed at one end of the small pond, the sculpture is reflected not only in the water but also in the marble and glass, thereby creating the sensation that it is multiplied in space, while its curves contrast with the geometrical purity of the building.
QuadHotspotPanoramaOverlayTextImage_401716C7_534E_F34B_41C7_C648B6A44A1D.text = The unit of the Masters’ degree in Ephemeral Architecture and Temporary Spaces (MEATS) of ELISAVA led by Stella Rahola Matutes and Roger Paez proposes ‘site specifics’ with the aim of questioning ourselves about materials, about the use we make of them, the value they have and their cultural and affective connotations
QuadHotspotPanoramaOverlayTextImage_257B4FE7_3D69_42D0_41C1_A7E4E840432C.text = “Woman against the light” \
 \


### URL
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## Media

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### Title
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## Tour

### Description
tour.description = 

### Title
tour.name = Barcelona Pavilion - Virtual Tour